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On The Waterfront
Released: 1954
Country: USA
Budget: $910,000
Colour: Black & White
Sound: Mono
Duration: 108 mins
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Trivia
Originally titled Waterfront, but changed to avoid clashing
with a TV series of the same name
The role of Terry Malloy was written for John Garfield
but he sadly died prior to the film beginning production while
Frank Sinatra was also considered for the lead role
Grace
Kelly rejected the role of Edie Doyle in favour of her role
in Rear Window while Elizabeth
Montogomery was also in the running to play Edie
Terry Malloy was based on longshoreman, whistle-blower Anthony
De Vicenzo who subsequently won an out of court settlement
for a lawsuit he filed against Columbia Pictures
Several real longshoremen were used as extras in the film
Rod Steiger's close-ups in the taxi cab scene were filmed without
Brando present who had left after shooting his own close-ups
Lawrence Tierney rejected the role of Charley Malloy
before it was offered to Rod Steiger.
The blinds in the back of the taxi cab were used as producer
Sam Spiegel forgot to pay for the rear projection equipment
required to simulate the vehicle's movement
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Brando & Kazan
This movie marked the third and final collaboration between
the legendary actor and director.
Elia Kazan is often credited as launching and perfecting
the method acting style with Marlon Brando's performances in
each of his films.
These are all contenders for some of the best of Brando's illustrious
career and earnt him Best Actor Oscar nominations (including
one win) for all of them:
1951
A Streetcar Named Desire
1952
Viva Zapata!
1954
On The Waterfront
Both Brando and Kazan were students of Konstantin Stanislavski's
method style of acting.
Brando studied this acting style under acting coach Stella
Adler who brought him to Kazan's attention.
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"I
coulda been a contender."
Terry Malloy has forfeited his dreams of becoming a prizefighter and
queues up at the dock each morning alongside all the other longshoremen
for a chance of work. Union boss Johnny Friendly is the man running
the docks and the Waterfront Crime Commission are closely following
his illegal activities. Malloy gets inadvertently involved in a murder
orchestrated by Johnny Friendly who's right-hand man just happens to
be Malloy's brother - Charley "The Gent". Meanwhile,
Father Barry is working alongside the sister of the murdered man, Edie
Doyle - herself falling in love with Terry Malloy, trying to get the
longshoremen to speak up against the corrupt Union men.
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Cast
Marlon Brando --- Terry Malloy
Eva Marie Saint --- Edie Doyle
Karl Malden --- Father Barry
Lee J. Cobb --- Johnny Friendly
Rod Steiger --- Charley "The Gent" Malloy
John Hamilton --- "Pop" Doyle
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"I
don't know nothing, I ain't seen nothing, I'm not saying nothing."
skyjude review
There's not much I can add to a film that's universally lauded as one
of the greatest of all time but it truly is a riveting experience. As
both a study in Kazan's concerns over capitalism and the act of informing
this is really about the acting. Each of the cast give powerhouse performances
under Kazan's sterling direction with a massive five acting Oscar nominations
including two wins. In the midst of all this acting talent it is Marlon
Brando who really owns the movie and took screen acting in a different
direction as a consequence. Respect must also go to Leonard Bernstein
for the fabulous score that earnt him an Oscar nomination in the only
non-musical movie he provided the music for.
Top
5 Reasons for Watching On The Waterfront
[5]
Father Barry's waterfront sermon
The "accidental" death of Kayo Dugan, was one step
too far for Father Barry and his stirring sermon in front of the longshoremen
is the turning point of the movie. He finally starts to win over the
longshoremen in his quest for an informer.
[4] The supporting cast
Brando got the Oscar for Best Actor, but an amazing four supporting
Oscar nominations (including one win) highlight the brilliance of the
cast around him. For Karl Malden, Lee J. Cobb, Rod Steiger and the beautiful
Eva Marie Saint, this marked career high performances and contributed
fantistically to this masterpiece.
[3]
Elia Kazan
Himself fighting off half of Hollywood
for informing, Kazan had the final word by directing one of Cinema's
greatest movies with informing at the heart of the story. A superb film
in the middle of an awesome run of movie making for the directorial
legend.
[2] "I coulda been a contender"
It's the quote and the scene everyone remembers the movie by and it
is indeed a classic moment. More than anything though it's the subtle
touches both actors offer this scene with Brando tenderly pushing Steiger's
arm down perfectly capturing the essence of the scene.
[1] Marlon Brando
He is still revered as "Greatest Movie Actor of All Time"
and it's mainly thanks to his awesome run of movies in the early 50's.
In On The Waterfront we see Brando at the height of his powers
and it truly could be a contender for greatest performance in movie
history.
On
The Waterfront quotes
Johnny
Friendly: When I was sixteen, I had to beg
for work in the hold. I didn't work my way up out of there for nothing.
You know, taking over this local took a little doin'. There's some pretty
rough fellas in the way. They gave me this to remember them by. I got
two thousand dues paying members in this local - that's $72,000 a year
legitimate and when each one of 'em puts in a couple of bucks a day
just to make sure they work steady, well, you figure it out. And that's
just for openers. We got the fattest piers in the fattest harbour in
the world. Everything moves in and out, we take our cut. You don't suppose
I can afford to be boxed out of a deal like this, do ya? A deal I sweated
and bled for, on account of one lousy little cheese-eater, that Doyle
bum, who thinks he can go squealing to the Crime Commission? Do ya?
Well, do ya?
Charley Malloy: Let
me tell you what stooling is. Stooling is when you rat on your friends,
the guys you're with. Johnny wants a favour. Don't think about it. Do
it.
Edie Doyle: Which side are you with?
Terry Malloy: Me? I'm with me, Terry.
Terry
Malloy: You know, I've seen you a lot of
times before. Remember parochial school out on Pulaski Street? Seven,
eight years ago? Your hair, you had your hair, uh,
Edie Doyle: In braids.
Terry Malloy: Looked like a hunk
of rope. And you had wires on your teeth and glasses, everything. I
mean, you was really a mess.
Edie Doyle: I can get home all right
now, thanks.
Terry Malloy: Now listen. Don't
get sore. I was just kidding ya a little bit. I just needed to tell
ya a joke. You grew up very nice.
Edie Doyle: Thanks.
Terry Malloy: You don't, you don't
remember me, do ya?
Edie Doyle: I remembered you the
first moment I saw you.
Terry Malloy: By the nose, huh?
Well, some people just got faces that stick in your mind.
Edie Doyle: I remember you were
in trouble all the time.
Edie
Doyle:
Shouldn't everybody care about everybody else?
Terry Malloy: Boy, what a fruitcake
you are.
Edie Doyle: I mean, isn't everybody
a part of everybody else?
Terry Malloy: And you really believe
that drool?
Edie Doyle: Yes, I do.
Terry Malloy: You wanna hear my
philosophy of life? Do it to him before he does it to you.
Edie Doyle: I never met anyone like
you. There's not a spark of sentiment or romance or human kindness in
your whole body.
Terry Malloy: What good does it
do ya besides get ya in trouble?
Father Barry: Some people think
the Crucifixion only took place on Calvary. They better wise up. Taking
Joey Doyle's life to stop him from testifying is a crucifixion. And
dropping a sling on Kayo Dugan because he was ready to spill his guts
tomorrow, that's a crucifixion. And every time the mob puts the crusher
on a good man, tries to stop him from doing his duty as a citizen, it's
a crucifixion. And anybody who sits around and lets it happen, keeps
silent about something he knows has happened, shares the guilt of it
just as much as the Roman soldier who pierced the flesh of Our Lord
to see if He was dead.
Father Barry: You want to know what's
wrong with our waterfront? It's the love of a lousy buck. It's making
the love of the lousy buck, the cushy job, more important than the love
of man. It's forgetting that every fellow down here is your brother
in Christ! But remember, Christ is always with you, Christ is in the
shape up. He's in the hatch. He's in the union hall. He's kneeling right
here beside Dugan. And He's saying with all of you, if you do it to
the least of mine, you do it to me. And what they did to Joey, and what
they did to Dugan, they're doing to you. And you. You. All of you. And
only you, only you with God's help, have the power to knock 'em off
for good. Okay, Kayo? Amen.
Terry Malloy: You know, if I spill,
my life ain't worth a nickel.
Father Barry: And how much is your
soul worth if you don't? Listen, if I were you, I would walk right.
Never mind. I'm not asking you to do anything. It's your own conscience
that's got to do the asking.
Charley
Malloy: Look, kid, I. How much you weigh, son? When you weighed
one hundred and sixty-eight pounds you were beautiful. You coulda been
another Billy Conn, and that skunk we got you for a manager, he brought
you along too fast.
Terry Malloy: It wasn't him, Charley,
it was you. Remember that night in the Garden you came down to my dressing
room and you said, "Kid, this ain't your night. We're going
for the price on Wilson." You remember that? "This
ain't your night"! My night! I coulda taken Wilson apart! So
what happens? He gets the title shot outdoors on the ballpark and what
do I get? A one-way ticket to Palookaville! You was my brother, Charley,
you shoulda looked out for me a little bit. You shoulda taken care of
me just a little bit so I wouldn't have to take them dives for the short-end
money.
Charley Malloy: Oh I had some bets
down for you. You saw some money.
Terry Malloy: You don't understand.
I coulda had class. I coulda been a contender. I coulda been somebody,
instead of a bum, which is what I am, let's face it. It was you, Charley.
Charley Malloy: OK, OK, I'll tell
him I couldn't find you. Ten to one he won't believe it.
Terry Malloy: You think you're God
Almighty, but you know what you are? You're a cheap, lousy, dirty, stinking
mug! And I'm glad what I done to you, ya hear that? I'm glad what I
done!
Production company: Columbia
Pictures
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Awards
Academy Awards 1955
--- Won ---
Best Picture
Sam Spiegel
Best Director
Elia Kazan
Best Screenplay
Budd Schulberg
Best Actor
Marlon Brando
Best Supporting Actress
Eva Marie Saint
Best Cinematography (B&W)
Boris Kaufman
Best Film Editing
Gene Milford
Best Art Direction (B&W)
Richard Day
--- Nominated ---
Best Supporting Actor
Karl Malden
Best Supporting Actor
Lee J. Cobb
Best Supporting Actor
Rod Steiger
Best Music
Leonard Bernstein
BAFTA Awards 1955
--- Won ---
Best Foreign Actor
Marlon Brando
--- Nominated ---
Best Film From Any Source
Most Promising Newcomer
Eva Marie Saint
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Elia
Kazan
Perhaps more than any other
director, Elia Kazan can be credited with bringing
the method acting style of films to the big screen.
In a near 40 year career directing movies, Kazan
twice won the Best Director Oscar for Gentleman's Agreement
and On The Waterfront.
A further 3 Best Director Oscar nominations were awarded for
A Streetcar Named Desire, East Of Eden and America,
America.
In 1999 Kazan also received an Honorary award from the Academy.
However, this was met with much controversy due to Kazan naming
several colleagues as Communists infront of the House of Un-American
Activities Committee in 1947.
The references to informing are never more rife than in On
The Waterfront showing Kazan was not afraid to hide behind
his decision that led to several colleagues being black-listed
in Hollywood.
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Eva Marie Saint
After a successful career in TV, Eva Marie Saint made
her big screen debut in On The Waterfront and achieved
the rare feat of winning an Oscar on her debut in the process.
Eva Marie Saint was to later star in the Hitchcock classic
North By Northwest
in a superb career that also won an acting Emmy for her performance
in the TV series People Like Us in 1990.
In 2006 Saint starred as Superman's mother, Martha Kent, in
the movie Superman Returns, bringing her acting brilliance
to another generation of film fans.
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Longshoremen
The movie revolves around the everyday struggles of America's
longshoremen (known as 'dockers' in the UK).
The loading and unloading of ships used to require a skill in
knot tying, mainly using the Stevedore knot, to raise the cargo.
In modern days cranes take care of this task leaving the longshoremen
to ensure each crate is correctly stacked on the ships.
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