|
Reservoir Dogs
Released: 1992
Country: USA
Budget: $1,200,000
Colour: Colour
Sound: Dolby
Duration: 99mins
|
|
Trivia
The movie title comes from two of Tarantino's favourite movies,
Au Revoir Les Enfants (which Tarantino referred to as
"that reservoir movie") and Straw Dogs
Christopher Walken turned down the role of Mr. Blonde
The lady killed by Mr. Orange was played by Tim Roth's dialect
coach on his orders for the hard time she gave him
Lawrence
Tierney says "Dead as Dillinger" in the movie,
a reference to his role as John Dillinger in the 1945 movie
Dillinger
George Clooney, Samuel L. Jackson and David
Duchovny all read for parts in the movie
UK movie magazine Empire, voted
this best independent movie ever and most influential movie
of the past 15 years
|
|
Linked Names
Mr.
Blonde's real name is Vic Vega - supposedly the brother of Travolta's
character in Pulp Fiction - Vince Vega
Joe mentions a girl named Alabama to Mr. White - a reference
to the character played by Patricia Arquette in True Romance
Mr. White's real name is revealed as Lawrence Dimmick in a DVD
deleted scene - Tarantino's character in Pulp Fiction
was named Jimmie Dimmick
Mr. Blonde pays reference to his parole office Seymour Scagnetti
- the same surname as a policeman in Natural Born Killers
Linked Products
The following products make regular appearances in Tarantino
movies:
Fuit Brute (cereal)
Red Apple (cigarettes)
Big Kahuna (burger)
Jack Rabbit Slims is also mentioned on the radio in Reservoir
Dogs and is the club used in Pulp Fiction
|
|
"If
you shoot this man, you die next. Repeat. If you shoot this man, you
die next."
Six guys are hired to carry out a diamond store heist on the strict
understanding that they do no not know each other or attempt to find
out anything about each other. The heist goes wrong and it looks pretty
clear that they've been set up. Who is the rat?
|
Cast
Harvey Keitel --- Mr. White
Tim Roth --- Mr. Orange
Steve Buscemi --- Mr. Pink
Michael Madsen --- Mr. Blonde
Edward Bunker - Mr. Blue
Quentin Tarantino --- Mr. Brown
Lawrence Tierney --- Joe
Chris Penn --- Nice Guy Eddie
Kirk Baltz --- Marvin Nash
|
"Alright
ramblers. Let's get rambling."
skyjude review
Some movies take time to grow on you. Some have an instant impact. I
was lucky enough to catch Reservoir Dogs in the cinema on it's
limited release in the UK and sat dumbstruck in my seat at the end of
the movie. That's only happened to me twice and the next time would
be just two years later with the release of Pulp Fiction. With
Quentin Tarantino a new era in movie-making began and this is a perfect
example of this impact cinema that has yet to be beaten in my eyes.
It's dialogue heavy and while a huge chunk of this is pure profanity,
the rest is just inspired listening that adds an unusual comedy slant
to what is essentially a gritty, violent crime flick. It won't be everyone's
cup of tea but for the modern age this is nothing short of an iconic
landmark.
Top
5 Reasons for Watching Reservoir Dogs
[5]
Mr. Blonde tortures Marvin Nash
The most talked about scene of the movie and it certainly makes an impact.
Famously never shows you the actual ear removal but this only increases
the tension in a manner not unlike the great Hitchcock himself. Thanks
to this scene Madsen was to continue playing the mad man for the remainder
of the decade.
[4] Steve Buscemi
The first attention grabbing role for the star and played to absolute
perfection. A role originally planned for Tarantino himself probably
because of the great lines and general coolness of Mr. Pink - Buscemi
positively lights up the screen and creates an opening for him in every
other cool movie of the 90's.
[3]
Tarantino's debut
This was the movie Tarantino had been planning for many years prior
to making it. It encapsulates all his best ideas from his early days
as a huge film fan and shows him making a raw movie the like of which
he is unlikely to do again. Among the best directorial debuts of all
time.
[2] The coffee bar scene
It's a heist flick featuring some deeply unmoralistic characters but
Tarantino was brave enough to open the movie (and his film career) with
idle chat in a coffee shop. As soon as the scene finishes and the music
pumps in you know you're about to watch a very special film.
[1] The dialogue
Simply the first film in the modern era to focus so heavily on the dialogue
- never before have criminals been given such cool lines to read. Clearly
a trademark of Tarantino and still the additional value his films offer
over their obvious inspirations. Tarantino is a film fan through and
through and provides just what other film fans want in a joyous script.
Reservoir
Dogs quotes
Nice Guy Eddie: C'mon, throw in
a buck!
Mr. Pink: Uh-uh, I don't tip.
Nice Guy Eddie: You don't tip?
Mr. Pink: Nah, I don't believe in
it.
Nice Guy Eddie: You don't believe
in tipping?
Mr. Blue: You know what these chicks
make? They make shit.
Mr. Pink: Don't give me that. She
don't make enough money that she can quit.
Nice Guy Eddie: I don't even know
a fucking Jew who'd have the balls to say that. Let me get this straight
- you don't ever tip?
Mr. Pink: I don't tip because society
says I have to. All right, if someone deserves a tip, if they really
put forth an effort, I'll give them something, a little something extra.
But this tipping automatically, it's for the birds. As far as I'm concerned,
they're just doing their job.
Mr. Blue: Hey, our girl was nice.
Mr. Pink: She was okay. She wasn't
anything special.
Mr. Blue: What's special? Take you
in the back and suck your dick?
Nice Guy Eddie: I'd go over twelve
percent for that.
Mr. Pink: Look, I ordered coffee.
Now we've been here a long fucking time and she's only filled my cup
three times. When I order coffee, I want it filled six times.
Mr. Blonde: Six times. Well, what
if she's too fucking busy?
Mr. Pink: The words "too fucking
busy" shouldn't be in a waitress's vocabulary.
Nice Guy Eddie: Excuse me, Mr. Pink,
but I think the last fucking thing you need is another cup of coffee.
Mr. Pink: I'm very sorry the government
taxes their tips, that's fucked up. That ain't my fault. It would seem
to me that waitresses are one of the many groups the government fucks
in the ass on a regular basis. Look, if you ask me to sign something
that says the government shouldn't do that, I'll sign it. Put it to
a vote, I'll vote for it, but what I won't do is play ball. And as for
this non-college bullshit I got two words for that -learn to fucking
type. 'Cause if you're expecting me to help out with the rent you're
in for a big fucking surprise.
Mr. Pink: You kill anybody?
Mr. White: A few cops.
Mr. Pink: No real people?
Mr. White: Just cops.
Mr. White: The choice between doing
ten years and taking out some stupid motherfucker, ain't no choice at
all. But I ain't no madman.
Joe: With the exception of Eddie
and myself, whom you already know, we're going to be using aliases on
this job. Under no circumstances do I want any one of you to relate
to each other by your Christian names, and I don't want any talk about
yourself personally. That includes where you been, your wife's name,
where you might've done time, or maybe a bank you robbed in St. Petersburg.
All I want you guys to talk about, if you have to, is what you're going
to do. That should do it. Here are your names - Mr. Brown, Mr. White,
Mr. Blonde, Mr. Blue, Mr. Orange, and Mr. Pink.
Mr. Pink: Why am I Mr. Pink?
Joe: 'Cause you're a faggot, alright?
Mr. Pink: How about if I'm Mr. Purple?
That sounds good to me, I'll be Mr. Purple.
Joe: You're not Mr. Purple. Some
guy on some other job is Mr. Purple. You're Mr. Pink!
Mr. White: Who cares what your name
is?
Mr. Pink: Yeah that's easy for you
to say, you're Mr. White, you have a cool sounding name. Alright look
if it's no big deal to be Mr. Pink, do you wanna trade?
Mr. Blonde: Hey Joe, you want me
to shoot this guy?
Mr. White: Shit. You shoot me in
a dream, you better wake up and apologise.
Nice Guy Eddie: Ain't that a sad
sight, Daddy, the man walks in the prison a white man, walks out talkin'
like a fucking nigger. You know what, I think it's all that black semen
been pumped up your ass so far, now it's backed into your fucking brain,
and it's coming out your mouth!
Mr. Blonde: Are you gonna bark all
day, little doggy, or are you gonna bite?
Mr. White: What was that? I'm sorry,
I didn't catch it. Would you repeat it?
Mr. Blonde: Are you gonna bark all
day, little doggy, or are you gonna bite?
Mr. Blonde: Boy that was really
exciting. I bet you're a big Lee Marvin fan aren't ya?
Marvin Nash: I already told you
I don't know anything about any fucking setup - you can torture me all
you want.
Mr. Blonde: Torture you? That's
a good idea. I like that.
Nice Guy Eddie: If you fucking beat
this prick long enough, he'll tell you he started the goddamn Chicago
fire, now that don't necessarily make it fucking so!
Nice Guy Eddie: Larry stop pointing
that fucking gun at my dad!
Production company: Dog Eat Dog Productions Inc .
|
|
Sundance Film Festival 1992
--- Nominated ---
Grand Jury Prize - Dramatic
Quentin Tarantino
|
Soundtrack
Little Green Bag
George Baker Selection
Hooked On A Feeling
Blue Swede
I Gotcha
Joe Tex
Magic Carpet Ride
Bedlam
Fool For Love
Sandy Rogers
Stuck
In The Middle With You
Stealer's Wheel
Harvest
Moon
Bedlam
Coconut
Harry Nilsson
|
|
### Spoiler ###
Who shoots who?

Often the cause of much discussion, the final shootout scene
is actually quite simple:
Joe shoots Mr. Orange
Mr. White shoots Joe
Nice Guy Eddie shoots Mr. White
Mr. White then shoots Nice Guy Eddie
Mr.
Pink picks up the jewels and leaves
|
|
### Spoiler ###
What happened to Mr. Pink?
Well, according to Quentin Tarantino he does actually
survive. If you listen carefully you can hear the police arresting
him outside the warehouse which seems to prove this.
The following voices can be heard amongst various car engine
noises and much shouting:
Police: Get out of the car!
Police: Get your hands on the dash!
Police: Throw the gun out!
Mr. Pink: Don't shoot, I've been shot goddamnit!
Police: Don't move!
Police: Don't fucking move!
Police: Are you a cop killer?
Police: Get your hands up!
Note: The original idea for the jewels was that these
were the contents of the briefcase in Pulp Fiction
|
|